Showing posts with label Duane Swierczynski. Show all posts
Showing posts with label Duane Swierczynski. Show all posts

Friday, June 20, 2008

Tiny Posts

So I haven't posted in--yikes. Been working on getting novel two done by summer's end, turning it over to my amazingly patient editor at St. Martin's. The bigger reason for no posts is this: I tend to write full-fledged essays that drain all my writing energy. So, the solution: more updates and posts will mean smaller posts. Maybe the occasional 1000-word outburst, but mostly little bitty ones. So here's the news lately:

I'm finally going to get to be what I've been working toward for too many years. Only my quest to be an Author has gone on longer. In two months, I begin my first tenure-track gig as a creative writing professor at Eastern Kentucky University. It's been a long haul toward this day, and I'm glad to be settling down with EKU and in a small city called Richmond, 2o miles south of Lexington, Kentucky. It's no Atlanta, but I won't miss the traffic and the heat. Plus, there's always Lexington when I get a hankering for big city life.

EKU has just started a low-residency MFA program for creative writing, and I know it's going to be a monster success. They've hired three new writers--myself, Julie Hensley and R. Dean Johnson--to join stellar poet Young Smith in this new program. Not everybody's down with the idea of trucking off to school to learn to write for a stretch of years, so low-res might be the answer (if you choose to go the MFA route at all). EKU's program is particularly affordable, and you can do almost the whole thing from the comfort of your own home. Plus, you'll get a chance to imbibe the wit and wisdom of my colleagues and myself. Just saying.

Bought my first house--an older, but spacious (five bedroom) crib overlooking a beautiful rolling hill. It's even got one of those ubiquitous Kentucky horse fences in the backyard, though no horses. My favorite parts of the house are the wet bar in the living room and the office in the garage, perfect to set up shop for writing. Luckily, the wet bar in not in the office. That, as you know, is an occupational hazard for writers. Home ownership's no picnic, but I've been renting for fourteen years, and this is long past due.

I'm also thrilled to report that this week I joined the ranks of a few dozen talented and lucky-ass writers who are represented by super-agent David Hale Smith of DHS Literary. Friends kept recommending him, I sent him my stuff, he claims he loved it, and the rest is history. His clients and my pals Theresa Schwegel, Duane Swierczynski (some day I'll learn to spell that without having to look it up), and J.D. Rhoades can't say enough good things about him, so I'm happy to join the party.

David is also the agent for the elusive and massively talent writer Boston Teran, whom I've never met or even seen a picture of. Frankly, I'm skeptical he exists, though somebody wrote an unbelievably dark and compelling novel called God is a Bullet under his name (not to mention three other novels). I picked it up after a few readers compared my Pyres to that novel, and I must say the comparison is much too kind to my book. More on that some other day.

God is a Bullet
will apparently be a movie next year, directed by Nick Cassavetes, son of one of my favorite directors of all time, John Cassavetes. I have to admit I've not been a huge fan of Nick's work as of yet (i.e. The Notebook), but he's also not trying to be his dad by any stretch of the imagination. He's rumored to be directed the upcoming Captain America feature, for goodness sakes. At any rate, I hope Nick will find a way to do justice to Teran's brilliant material.


Friday, December 21, 2007

Introductions...

The pleasure's all mine.

Been blogging with my compatriots down at Killer Year near about a year now. The lot of us are scribes of noir, thriller, crime. A ragged bunch. But the Killer Year is winding down. Sure, we've got an ass-kicker of an antho dropping first thing 2008: Killer Year: Stories to Die For. It'll be our collective legacy. We've got our solo careers to sow. We've got to make it on our own.

So here's this blog, all me. Don't ask why because I don't know. Things to say from time to time and nobody to say them to. I contented myself at Killer Year with once-a-month essays of sorts. It's the academic in me. But round here I won't burn myself out on long-winded musings. Quick jabs, maybe. The occasional autopsy.

So who the hell am I? My book Pyres came out this year from St. Martin's Minotaur. Blurbs from Joyce Carol Oates, Marcus Sakey, Ken Bruen, Wendy Brenner, Duane Swierczynski.
Great reviews from Kirkus, Pub Weekly, Library Journal, Booklist. Not to mention sweet reviews from such luminary rags as the Chicago Tribune, the San Francisco Chronicle, The Omaha World Herald, and the Wilmington Star-News. Book's about a punky teenage girl Luc who's life gets upended when she witnesses her dad's murder. The crime gets the poor kid all mixed up with some dangerous folks who maybe want to see more of her family go down. Up to Luc and police detective Greta Hurd to keep things from going up in flames. Or not. It's got bits of police procdural, noir, and even some fabulist turns for the literary types. Takes place in Rochester, NY and surrounding environs, my own wintery teenage haunts.

Grew up outside Rochester, went to school at a SUNY, then down to Wilmington, NC for my MFA in creative writing. Wilmington's on the beach, beaut weather, but my mind drifted back to the cold and dark and I invented a place called Hammersport. Western, New York. Amalgam of Brockport and some other Erie Canal towns. Hammersport's been home base for all my published short stories and for the debut novel, too. Said stories have popped up in Ellery Queen Mystery Magazine, The Ontario Review, Chelsea and The Pedestal Magazine.

Down in Atlanta now, chipping away at a PhD because I can't seem to get my fill of the hallowed halls of academe. Writing novel two on the sly, crawling inside a woman's head yet again. Some say write what you know, but fuck it: write what you're desparate to undestand (somebody else said that first, can't remember who). Fall on your ass maybe, but you've got the "transport of the aim," as Dickinson said. Emily's a woman to strive to understand. She'll slice your soul up. Try this Dickinson quip:

"I shall know why--when Time is over--
and I have ceased to wonder why--
Christ will explain each separate anguish
In the fair schoolroom of the sky."

I'm a sucker for great poets: Ms. Dickinson, Thomas Hardy, G.M. Hopkins, Philip Larkin, and my man John Berryman who supplies the quotation affixed to the front of this blog in "A Sympathy, A Welcome." Poem writ in 1958 on the occasion of the birth ("fall") of Berryman's son Paul:

"Feel for your bad fall how could I fail,
poor Paul, who had it so good.
I can offer you only: this world like a knife.
You'll get to know your mother
and humourless as you do look you will laugh
and all the others
will NOT be fierce to you, and loverhood
will swing your soul like a broken bell
deep in the forsaken woods, poor Paul,
while wild bad father loves you well."

It's that splice of noir and heart that slays me, every time. Berryman, you know, threw himself off a bridge when the knife-world stabbed too hard at him. Not a tale for the festive season, but few true stories fit the bill. If you're looking for answers, I got only questions here, dear.